Press and publications
What other people have written
Peer reviewed
- Celeste Pang, Brittany A. E. Jakubiec and Melanie Schambach, “Relational Practices in Arts-Based Research: A Roundtable Reflection on the Fostering Dialogues Project”, Atlantis: Critical Studies in Gender, Culture and Social Justice 45.2, 2024, 173 to 179. Read it.
- Peggy O’Neil, Roula Kteily-Hawa and Marlene Janzen Le Ber, “Social Portraiture: Decolonizing Ways of Knowing in Education through Arts-Based Participatory Action Research”, Canadian Journal of Action Research 22.3, 2022. Read it. The paper sets out social portraiture as a methodology and draws on the participatory mural made for the Brescia University College centenary.
- Gregory Lowan-Trudeau, From Reticence to Resistance, Werklund School of Education, 2018.
- Liz Miller, The Shore Line: A Totem Pole Journey, SSHRC Canada, 2014.
Institutional records
- City of Vancouver Public Art Registry, The Belonging Action, 2012. Registry entry.
- Totem Pole Journey, Seattle blessing at St Mark’s Episcopal Cathedral, August 2016. The account, which names the mural’s direction.
- Carnegie Museum of Natural History, Kwel’ Hoy: We Draw the Line!, October 2017 to March 2018. Exhibition page.
- Red Road to DC, Chehalis Tribal Days, May 2021.
Press
- Guelph Arts Council, The Mural Project: Art in Hard Times, 2020. Read it.
- “The Mural Project: Art in hard times”, GuelphToday, 11 August 2020.
- Kelly Wang, “London artists express connection amid coronavirus pandemic via mural in Richmond St. underpass”, Global News, October 2020.
- Liny Lamberink, “Mobile mural invites Londoners to reflect on diversity, make their mark”, Global News, July 2017.
Coverage of the work made under collective authorship
The travelling mural made with the Lummi Nation’s House of Tears Carvers was covered widely and, at the artist’s request, almost always without an individual credit. These accounts document the work rather than the name, which is the intended result. The reasoning is on the Practice page.
- Martha Baskin, “‘We Draw the Line’: Lummi Nation Connects With Museum to Grow the Climate Justice Movement”, Truthout, 1 November 2017. Lists “a mural collectively painted by dozens of people, Indigenous and non-Indigenous, along the totem pole journey” among the objects shown at the Carnegie. Read it.
- Shari Narine, “Mural, totem pole symbols of needed change”, Alberta Sweetgrass 21.10, 2014. Covers the mural travelling to Beaver Lake Cree Nation. Read it.
- Jovelle Tamayo, “Lummi Totem Pole Journey honors earth, celebrates Cherry Point victory”, The Seattle Globalist, 26 August 2016. Photographs the mural at the blessing and captions it Our Painted Responsibilities.